검색어 : 통합검색[Concertos (Piano)]
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91
- Basso Continuo in Mozart's Piano Concertos: Dimensions of Compositional Completion and Performance Practice
- Derr, E.; ; (Michigan MozartFest: Mozart's piano concertos; text, context, interpretation, v.1996, 1996, pp.393-410)
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92
- Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment
- Grayson, David; ; (Music & letters, v.84, 2003, pp.662-664)
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93
- The Many Faces of Authenticity: Problems of a Critical Edition of Mozart's Piano Concertos
- Wolff, C.; ; (Michigan MozartFest: Mozart's piano concertos; text, context, interpretation, v.1996, 1996, pp.19-28)
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94
- “Wolfgang Amadeus Mozart’s Piano Concertos in the Context of Genre Development”
- An Le; ; (Highlights in Art and Design, v.7, 2024, pp.1-29)
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95
- A Complementary Pair: Stylistic Experimentation in Mozart's Final Piano Concertos, K. 537 in D and K. 595 in B-<i>flat</i>
- Keefe, Simon P.; ; (The Journal of musicology : JM, v.18, 2001, pp.658-684)
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96
- Collage, Dispositions and Performatics in Bogusław Schaeffer’s Piano Concertos
- Atys Szymon; ; (Res Facta Nova. Teksty o muzyce współczesnej, v., 2022, pp.92-110)
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97
- Idiosyncratic Features of Three Mozart Slow Movements: The Piano Concertos K. 449, K. 453, and K. 467
- Schachter, C.; ; (Michigan MozartFest: Mozart's piano concertos; text, context, interpretation, v.1996, 1996, pp.315-334)
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98
- Traditions of the Culture of the Artistic france and piano concertos of C.Saint-Saëns
- Shevchenko, Lilia; ; (Visnyk Na&n.tlligat;&n.srligat;ional&n.softsign;noï akademiï kerivnykh kul&n.softsign;tury i myste&n.tlligat;&n.srligat;tv = National Academy of Managerial Staff of Culture and Arts herald, v.2, 2019, )
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99
- Vers le style d’exécution « mainstream » des concertos pour piano de Mozart: l’enregistrement Columbia du Concerto en Sol majeur, K. 453, par Ernst von Dohnányi
- Giardina, Adriano; Université de Fribourg - Faculté des lettres et des sciences humaines, Domaine Histoire de l’art, Arché ologie et Musicologie Avenue de l’Europe 20, Bureau 2031, CH-1700 Fribourg, Suisse; (Studia musicologica, v.58, 2017, pp.197-224)
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100
- 'We hardly knew what we should pay attention to first': Mozart the Performer-Composer at Work on the Viennese Piano Concertos
- Keefe, Simon P.; ; (Journal of the Royal Musical Association, v.134, 2009, pp.185-242)
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