검색어 : 통합검색[Operas --Librettos.]
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11
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MUSIC AND ‘MUSIC’ IN EIGHTEENTH-CENTURY META-OPERATIC SCORES
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BELLINI, ALICE;
;
(Eighteenth-century music,
v.6,
2009,
pp.183-207)
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12
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The Influence of Orientalism in the 18th and 19th Century Opera Librettos
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Yazar, İ
lhan Uğ
ur;
;
(Journal of human sciences,
v.19,
2022,
pp.300-310)
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13
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Popolo, nazione e patria nelle prime opere polacche (1778-1794)
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Ż
ó
ravska-Witkowska, Alina;
;
(De musica disserenda,
v.12,
2016,
pp.31-43)
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14
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Dialectics of Social Class in the Gilbert and Sullivan Collaboration
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Fischler, Alan;
;
(Studies in English literature, 1500-1900,
v.48,
2008,
pp.829-837)
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15
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Verdi and the<i>Gazzetta Privilegiata Di Milano</i>: An ‘Official’ View Seen in its Cultural Background
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Parker, Roger;
;
(Research chronicle,
v.18,
1982,
pp.51-65)
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16
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Dr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carre
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Macdonald, Hugh;
Washington University, St. Louis;
(The Journal of musicological research,
v.13,
1993,
pp.67-77)
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17
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Was Richard Wagner a Buddhist?
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Karel Werner;
University of London;
(International Journal of Buddhist Thought and Culture,
v.21,
2013,
pp.57-82)
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18
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Why Venice? Venetian Society and the Success of Early Opera
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Muir, Edward;
Professor of the Arts and Sciences, Northwestern University;
(The Journal of interdisciplinary history,
v.36,
2006,
pp.331-353)
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19
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O możliwościach czytania dzieła operowego
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Wypych-Gawrońska Anna;
;
(Przestrzenie Teorii,
v.,
2015,
pp.377)
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20
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At the Crossroads Between Opera and Oratorio: Biblical Themes and the 19th Century French Opera
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Kará
csony, Noé
mi;
Rucsanda, Mă
dă
lina Dana;
;
(Studia Universitatis Babeş-Bolyai. Musica,
v.68,
2023,
pp.21-38)