검색어 : 통합검색[Hustvedt Siri]
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31
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Siri Hustvedt The Brooklyn-based author and Minnesota native talks about her new literary novel, What I Loved
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;
;
(The publishers weekly,
v.250,
2003,
pp.53-54)
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32
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A “visible form of invisibility” : Hybridism and figuration in Siri Hustvedt’s The Shaking Woman
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Antolin, Pascale;
;
(Revue française d'études américaines,
v.157,
2018,
pp.214-228)
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33
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Siri Hustvedt’s 'The Summer Without Men' and 'The Blazing World' : An Insight into the Twenty-first-century Artist Heroine
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Osuna Montilla, Isabel Marí
a;
;
(Journal of english studies,
v.21,
2023,
pp.95-111)
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34
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THE CONCEPT OF MYSTERY IN SIRI HUSTVEDT’S ESSAYS ON PAINTING
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Lunyova Tetyana;
;
(Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ»,
v.,
2019,
)
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35
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The Aesthetics of Transgression in Siri Hustvedt’s THE SUMMER WITHOUT MEN
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Rajendran, Punnya;
Indian Institute of Technology-Bombay;
(The Explicator,
v.77,
2019,
pp.47-52)
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36
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Gendered Authorship and Cultural Authority in Siri Hustvedt’s The Blazing World
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Kon-Yu, Natalie;
Van Loon, Julienne;
Victoria University, Melbourne, Australia;
RMIT University, Melbourne, Australia;
(Contemporary women's writing,
v.12,
2018,
pp.49-66)
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37
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Pleasure and Peril: Dynamic Forces of Power and Desire in Siri Hustvedt's The Blindfold
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Jameson, Alise;
;
(Studies in the novel,
v.42,
2010,
pp.421-442)
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38
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Authorship and Meta-fiction in Carol Shields’ ‘Unless’ and Siri Hustvedt’s ‘The Summer without Men’
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Kon-yu, Natalie;
;
(The international journal of the humanities,
v.9,
2012,
pp.45-56)
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39
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38. Hartmann, Johanna, Christine Marks, and Hubert Zapf, eds. 2016. Zones of Focused Ambiguity in Siri Hustvedt’s Works. Berlin: De Gruyter, 425 pp.
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;
;
(English and American studies in German,
v.6,
2017,
pp.58-60)
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40
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The Epicene Gaze: Rewriting the Subject Object Relationship in Siri Hustvedt’s What I Loved
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Wiltshire Harvey;
University College London;
(InVisible Culture,
v.,
2018,
)