검색어 : 통합검색[Operas --Librettos.]
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31
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Opera włoska we Wrocławiu (1725-1734) i jej związki z innymi ośrodkami muzycznymi
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Wę
grzyn-Klisowska, Walentyna;
;
(Italica Wratislaviensia,
v.5,
2014,
pp.123-146)
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32
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Music for the<i>Aeneid</i>
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Dickinson, A. E. F.;
;
(Greece & Rome,
v.6,
1959,
pp.129-147)
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33
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An Interview with Austrian Bass-Baritone Rupert Bergmann
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Rovner Anton A.;
Moscow State P.I. Tchaikovsky Conservatory;
;
(IKONI / ICONI,
v.,
2022,
pp.59-66)
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34
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Pasticcio-Daten und Daten-Pasticcio - zur Edition kompilierter musikalischer Werke
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Albrecht-Hohmaier, Martin;
Over, Berthold;
Pelliccia, Emilia;
Wronkowska, Sonia;
;
(Editio : Internationales Jahrbuch für Editionswissenschaft,
v.34,
2020,
pp.45-71)
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35
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Censoring the Muses: Opera and Creative Control in Nicholas's Russia (1825-1855)
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Zavlunov, Daniil;
Stetson University , Florida , USA;
(Cambridge opera journal,
v.34,
2022,
pp.37-66)
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36
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Two relational databases for finding text paraphrases in musicological research
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Walter Hill, John;
Ward, Tom R.;
;
(Computers and the humanities,
v.23,
1989,
pp.105-111)
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37
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The Creation of the Buffo Finale in Italian Opera
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Heartz, Daniel;
;
(Proceedings of the Royal Musical Association,
v.104,
1977,
pp.67-78)
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38
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The role of Nicolo Grimaldi (Nicolini) in the Italian opera development in London in the early 18th century
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Xinhang, Cui;
;
(Philharmonica : International music journal,
v.3,
2023,
pp.34-47)
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39
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Le petit vers bouffe de Jarry et le poème
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Hé
risson, Armelle;
;
(Études françaises,
v.51,
2015,
pp.99-116)
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40
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The Valuation of the Original Text in an Opera Vocal Score: Meaning and Pronunciation
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Ichim Traian;
;
(Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts,
v.,
2023,
pp.79-86)