검색어 : 통합검색[Mazurkas]
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41
- Nomenclature of the traditional violin repertoire based on the instrumental prac- tice of selected violinists from Central Poland
- Surma Joanna; Art Institute of the Polish Academy of Sciences; ; (Ethnomusic, v.18, 2022, pp.83-99)
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42
- Peer Review Statement
- ; ; (IOP conference series. Materials science and engineering, v.1260, 2022, pp.011002)
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- Mily Balakirev, <i>Complete Piano Works</i> - Mily Balakirev, <i>Complete Piano Works</i> Vol. 1, <i>Piano Sonatas</i> Nicholas Walker <i>pf</i> Grand Piano 636, 2013 (1 CD: 76 minutes) - Mily Balakirev, <i>Complete Piano Works</i> Vol. 2, <i>Waltzes, Nocturnes and Other Works</i> Nicholas Walker <i>pf</i> Grand Piano 713, 2016 (1 CD: 75 minutes) - Mily Balakirev, <i>Complete Piano Works</i> Vol. 3, <i>Mazurkas and Other Works</i> Nicholas Walker <i>pf</i> Grand Piano 714, 2016 (1 CD: 76 minutes)
- Zavlunov, Daniil; ; (Nineteenth-century music review, v.17, 2020, pp.160-167)
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44
- Fryderyk Chopin’s Polonaise. The riddle of its melodic figure
- Maciej Gołąb; University of Wrocław; (음악이론연구, v.15, 2010, pp.11-39)
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45
- Developing and evaluating computational models of musical style
- Collins, Tom; Laney, Robin; Willis, Alistair; Garthwaite, Paul H.; ; (Artificial intelligence for engineering design, analysis and manufacturing : AI EDAM, v.30, 2016, pp.16-43)
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46
- Generating Musical Expression of MIDI Music with LSTM Neural Network
- Jedrzejewska, Maria Klara; Zjawinski, Adrian; Stasiak, Bartlomiej; ; (Human System Interaction (HSI), 2018 11th International Conference on, v.2018, 2018, pp.132-138)
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47
- Le style de Chopin et ses transformations. Entre les inspirations contemporaines et la motivation intérieure
- Tomaszewski, Mieczysław; Tomaszewski, Mieczyslaw; ; (Revue de musicologie, v.75, 1989, pp.191)
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48.
- F. Chopin Piano Sonata No.3 b minor op.58의 분석에 대한 고찰
- 송유리
- 수원대학교 대학원, 국내석사, , 2008
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- 쇼팽 <스케르초 Op. 31> 분석연구
- 장예문
- 건국대학교 대학원, 국내석사, 40, 2017
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50
- Chopin in the writings and music of 20th-century Polish composers
- Bolesławska-Lewandowska Beata; Institute of Art, Polish Academy of Sciences, Warsaw (Poland); (The Culturology Ideas, v., 2023, pp.85-94)
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