검색어 : 통합검색[Piano music --History and criticism.]
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1.
- 한국의 피아노연주 비평에 관한 연구 : 1906년~2008년의 저널평문을 중심으로
- 이윤희
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동덕여자대학교 대학원, 국내박사,
viii, 228 p., 2011
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2
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The Piano as Cultural Symbol in Colonial New Zealand
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Moffat, Kirstine;
;
(History compass,
v.7,
2009,
pp.719-741)
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3
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존 케이지의 음악에 나타난 선사상 연구 - 피아노 독주곡 『4′ 33″』를 중심으로 -
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김나래;
동국대학교;
(한국불교학,
v.0,
2019,
pp.259-284)
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4
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비르투오소 담론 연구: 몸, 능력, 장애의 내러티브를 중심으로
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박윤경;
서울대학교;
(音.樂.學,
v.29,
2021,
pp.71-107)
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5
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The evolution of performance style in the history of the International Fryderyk Chopin Piano Competition in Warsaw
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Kocyan Wojciech;
;
(Chopin Review,
v.,
2023,
pp.20-37)
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6
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Ternopil branch of the Musical Institute named after Mykola Lysenko as a cultural and educational center of Ternopil (1st half of XX century) | Тернопільська філія Вищого музичного інституту імені М. Лисенка як культурно-освітній центр Тернополя (перша половина XX століття).
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Spolska Olena;
;
(Collection of scientific works “Notes on Art Criticism”,
v.,
2021,
)
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7
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Music-Making and Musical Instruments in the Čiurlionis Family Environment
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Č
esnulevič
ienė
, Auš
ra;
;
(Meno istorija ir kritika = Art history & criticism,
v.20,
2024,
pp.53-69)
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8
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African Musicology: A Bibliographical Guide to Nigerian Art Music (1927-2009)
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Sadoh, Godwin;
;
(Notes,
v.66,
2010,
pp.485-502)
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9
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Piano etude and traditions of Russian Modern
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Gultsova Diana;
;
(Collection of scientific works “Notes on Art Criticism”,
v.,
2020,
)
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10
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Some Challenges of Partita No. 1 by J. S. Bach Interpretation in Piano, Harpsichord, Clavichord, Organ Performance
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Yelysieieva Kateryna;
;
(Collection of scientific works “Notes on Art Criticism”,
v.,
2022,
)