검색어 : 통합검색[Ramis Harold]
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- Harold Ramis 1944-2014
- Gaffez, F.; ; (Positif, v.639, 2014, pp.72)
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- Harold Ramis: `Multiplicity' is the latest film by writer, director and occasional actor Harold Ramis
- Eimer, D.; ; (Time out, v.1361, 1996, pp.26)
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- ANNALS OF HOLLYWOOD Comedy First How Harold Ramis changed Hollywood
- Friend, T.; ; (The New Yorker, v.2004, 2004, pp.164-173)
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- No Exit: Death Drive, Dystopia, and the Long Winter of the American Dream in Harold Ramis’s <i>The Ice Harvest</i>
- Smith, Eric D.; ; (Utopian studies : journal of the Society for Utopian Studies, v.34, 2023, pp.380-398)
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- La figure de la répétition : une vision de l’utopie désenchantée dans la culture américaine : The Tunnel under the World (Frederik Pohl, 1954) Replay (Ken Grimwood, 1986) Groundhog Day (Harold Ramis, 1993)
- Louet, Sylvain; ; (Trans- : revue de littérature générale et comparée, v.14, 2012, )
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- Seriously Funny: Edgy as ever, Michael Keaton explains why he turned down another Batman mega-payday and stars as his own fab four in Harold Ramis's cloning comedy Multiplicity
- Brown, C.; ; (Premiere, v.9, 1996, pp.84,86,88,102)
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- Let’s Make it American: American Remakes of the British Films
- Kahraman Dö nmez, Elif; ; (CINEJ cinema journal, v.7, 2018, pp.238-261)
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- 시간의 반복과 비선형성: ⟨사랑의 블랙홀⟩의 내러티브
- 류재훈; 세명대 공연영상학과; (영상예술연구, v.0, 2016, pp.9-24)
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- Immortality, the Good Life and Romantic Love in <i>Groundhog Day</i> and <i>Only Lovers Left Alive</i>
- Zinman, Rick; Independent Scholar; (Film-philosophy, v.26, 2022, pp.411-431)
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