검색어 : 통합검색[Rimsky-Korsakov Nikolai]
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1
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The Tsar's Bride. Nikolai Rimsky-Korsakov
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Graeme, R.;
;
(The Opera quarterly,
v.13,
1997,
pp.204-208)
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2
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Russianness
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Griffiths, Steve;
Seaman, Gerald R.;
;
(The musical times,
v.131,
1990,
pp.656)
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3
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Nikolai Andreevich Rimsky-Korsakov: A Guide to Research
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Guenther, Roy J.;
Seaman, Gerald R.;
Griffiths, Steven;
Rimsky-Korsakov,;
;
(Notes,
v.48,
1991,
pp.491)
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4
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Opposing Official Nationality : The Protest Operas of Savva Mamontov and Nikolai Rimsky-Korsakov
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Nelson, John;
Post-Doctoral Researcher, Aleksanteri Institute, University of Helsinki;
(Experiment = Ėksperiment,
v.25,
2019,
pp.115-129)
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5
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Seaman, G. R. "Nikolai Andreevich Rimsky-Korsakov. A Guide to Research" (Book Review)
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MCMILLIN, A.;
;
(The Slavonic and East European review,
v.68,
1990,
pp.560-560)
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6
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The Image of Yaromir in the Artistic System of Nikolai Rimsky-Korsakov’s Opera- Ballet “Mlada“
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Podshivalova Svetlana A.;
Volgograd P.A. Serebryakov Conservatory;
Shmakova Olga V.;
Volgograd P.A. Serebryakov Conservatory;
;
(ICONI,
v.,
2019,
pp.61-75)
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7
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The Second Version of The Pskov Maid in the Context of Nikolai Rimsky-Korsakov’s Opera Legacy
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Skuratovskaya Maria V.;
Russian Gnesins’ Academy of Music;
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(Music Scholarship / Problemy Muzykal'noj Nauki,
v.,
2021,
pp.145-153)
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8
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The Mermaid Theme in the Cantata and the Chamber-vocal Genre Works by Nikolai Rimsky-Korsakov: Intertextuality and Archetypes
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Verba Natalia I.;
;
(Observatory of Culture,
v.,
2014,
)
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9
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The Correlation Between the Rimsky-Korsakov False Progression and the Coltrane Cycle
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Guarna, Vincent;
;
(Jazz education in research and practice : a journal of the jazz education network,
v.5,
2024,
pp.85-107)
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10
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On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality
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Ewell, Philip;
;
(Music theory spectrum,
v.42,
2020,
pp.122-142)