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1.
- The work of poverty: The minimum in Samuel Beckett and Alain Resnais (Ireland, France)
- Duerfahrd, Lance Alfred, Yale University, [2001]
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2.
- Scratching the Surface: The Concepts of Surface and Plasticity in the Works of Alain Robbe-Grillet, Roland Barthes, Marguerite Duras, and Alain Resnais
- Estournel, Nicolas, ProQuest Dissertations & Theses New York Universit, [2020]
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3.
- Memory, History, and Trauma in Chris Marker, Alain Resnais, Alexander Kluge, and Mira Nair's Films
- Sinha, Amresh, New York University, [2015]
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4.
- Alain Resnais 영화의 시간개념 연구
- 조혜정, 중앙대학교, [1991]
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5.
- Stream of consciousness on film: Strategies of representation (Bernardo Bertolucci, Italy, Alain Resnais, France, Darren Aronofsky)
- Trotter, Christine Joy, New York University, [2003]
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6.
- THE CINEMATIC CHRONOTOPE AND FOUR EUROPEAN ART FILMS : UNTYING THE KNOTS OF TIME AND SPACE (NARRATIVE, BAKHTIN MIKHAIL, BERGMANINGMAR, RESNAIS ALAIN, MARKER CHRIS, ENRICO ROBERT)
- SWENSON, SHARON LEE ESPLIN, The University Of Utah, [1993]
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7.
- The inner "I": Self-reference in the text-production interface in Beckett's "Endgame" and Robbe-Grillet's/Resnais' "Last Year at Marienbad"
- Popescu, Anca Valentina, University of California, Davis, [2009]
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8.
- The woman condition: Love and technology in "Hiroshima mon amour"
- Madella, Alessandra, The University of Iowa, [2011]
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9.
- <히로시마 내 사랑 Hiroshima mon amour> -시나리오와 영화에서 과거 서술의 양상과 기법- = Hiroshima mon amour de Marguerite Duras --Aspect et technique de la description du passé--
- 이선미, 숙명여자대학교 교육대학원, [2004]
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10.
- 사진의 기록과 영화적 재현 = Photographic recording and cinematic representation
- 김동윤, 강원대학교 대학원, [2025]