Bart?k, Concerto for orchestra
David Cooper
| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | Bart?k, Concerto for orchestra / David Cooper. |
| 개인저자 | Cooper, David,1956- |
| 발행사항 | Cambridge ; New York : Cambridge University Press, 1996. |
| 형태사항 | viii, 103 p. : ill. ; 23 cm. |
| 총서사항 | Cambridge music handbooks |
| ISBN | 0521480043 (hc) 0521485053 (pb) |
| 서지주기 | Includes bibliographical references (p. 98-100) and index. |
| 주제명(개인명) | Bart?k, B?la, -- Concertos,1881-1945. -- orchestra. Bart?k, B?la, -- Concerto for orchestra.1881-1945. -- |
| 분류기호 | 785.6 |
| 언어 | 영어 |
목차
목차 일부
1. Introduction ... 1
2. Background ... 3
The Sources of the matrue style-the orchestral music from Kossuth to the Second Piano Concerto ... 7
3. Genesis and reception ... 16
The roots of the ...
2. Background ... 3
The Sources of the matrue style-the orchestral music from Kossuth to the Second Piano Concerto ... 7
3. Genesis and reception ... 16
The roots of the ...
목차 전체
1. Introduction ... 1
2. Background ... 3
The Sources of the matrue style-the orchestral music from Kossuth to the Second Piano Concerto ... 7
3. Genesis and reception ... 16
The roots of the Concerto for Orchestra ... 16
The Concept of a Concerto for Orchestra ... 20
The Composition of the Concerto ... 22
Early performance history ... 23
Critical reception ... 25
Analytic approaches to Bartok's music ... 28
The influence of the Concerto for Orchestra ... 32
4. Synopsis I ... 34
Overview ... 34
First movement (Introduzione) ... 36
Second movement (Giuoco delle coppie) ... 44
Third movenent (Elegia) ... 50
5. Synopsis II ... 54
Fourth movement (Intermezzo interrotto) ... 54
Fifth movement (Finale) ... 58
6. Musical analysis ... 66
Strategies of integration ... 66
The golden section principle and temporal integration ... 70
Strategies of harmonic integration ... 71
The integration of scale forms ... 72
Strategies of disruption ... 74
Strategies of formal desruption ... 75
Strategies of rhythmic disruption ... 76
The Concerto and compromise ... 79
Bartok and chaos ... 84
Appendix ... 85
(a) bartok's explanation to Concerto for Orchestra ... 85
(b) 'The Public vs. Bartok: is there really a case?' ... 86
Notes ... 88
Select bibliography ... 98
Index ... 101
2. Background ... 3
The Sources of the matrue style-the orchestral music from Kossuth to the Second Piano Concerto ... 7
3. Genesis and reception ... 16
The roots of the Concerto for Orchestra ... 16
The Concept of a Concerto for Orchestra ... 20
The Composition of the Concerto ... 22
Early performance history ... 23
Critical reception ... 25
Analytic approaches to Bartok's music ... 28
The influence of the Concerto for Orchestra ... 32
4. Synopsis I ... 34
Overview ... 34
First movement (Introduzione) ... 36
Second movement (Giuoco delle coppie) ... 44
Third movenent (Elegia) ... 50
5. Synopsis II ... 54
Fourth movement (Intermezzo interrotto) ... 54
Fifth movement (Finale) ... 58
6. Musical analysis ... 66
Strategies of integration ... 66
The golden section principle and temporal integration ... 70
Strategies of harmonic integration ... 71
The integration of scale forms ... 72
Strategies of disruption ... 74
Strategies of formal desruption ... 75
Strategies of rhythmic disruption ... 76
The Concerto and compromise ... 79
Bartok and chaos ... 84
Appendix ... 85
(a) bartok's explanation to Concerto for Orchestra ... 85
(b) 'The Public vs. Bartok: is there really a case?' ... 86
Notes ... 88
Select bibliography ... 98
Index ... 101
태그가 저장되었습니다. 
태그저장 중 오류가 발생하였습니다. 재시도 하십시오. 
QUICK MENU
서평 (0 건)
*주제와 무관한 내용의 서평은 삭제될 수 있습니다. 한글 기준 10자 이상 작성해 주세요.
서평추가