MIKROPHONIE Ⅰ (1964)
for tam - tam, 2 imcrophnes, 2 fliters with potentiometers
(brussels version 1964)
1. Ⅰ. QUAKEND [0'17]
2. Ⅱ. KNISTERND-GACKERND [0'32]
3. Ⅰ. WINSELND-JAULEND [0'27]
4. Ⅱ. WIRBELND-TROMMELND-KNARREND [0'22]
5. Ⅰ. RASSELND-A@CHZEND-DONNERND [1'05]
6. Ⅰ + Ⅱ. TUTTI forte [1'32]
7. Ⅱ. RAUSCHEND-TO@NEND-TUTEND [1'34]
Ⅰ+Ⅱ. GLA@SERN SINGEND
8. Ⅰ. WISPERND [0'05]
9. Ⅱ. BERSTEND (KRACHEND) [0:12]
10. Ⅰ. TRILLERND [0:19]
KNALLEND
GELLEND
11. Ⅰ. COLLAGE [0'47]
12. Ⅱ. Y (YPSILON) [3'41]
13. Ⅰ. ZIRPEND-SCHNARCHEND-GRUNZEND [0'16]
14. Ⅱ. ROLLEND [0'09]
15. Ⅰ. PRASSELND - KRA@CHZEND - TOSEND [2:28]
Ⅰ + Ⅱ. PIZZICATO
16. Ⅱ. GERA@USCH ad lib [0:04]
17. Ⅰ. LA@UTEND - SA@GEND [0:09]
18. Ⅱ. PRELLEND - KNATTERND (RATTERND) [0:16]
19. Ⅰ + Ⅱ. tUTTI 157 [2:58]
20. Ⅰ. RASCHELND (RATTELND) - MURMELND [0:26]
21. Ⅱ. SCHNARREND [0:34]
22. Ⅰ. Ⅹ (Ⅹⅰ) [2:24]
23. Ⅱ. kLA@NGE ad lib. [0:08]
24. Ⅱ. 4 " before entry of the moments 24/25
(Since it tis not possible to set tracvks closer than 4" apart, track 24 had to be set 4" earlier than disired)
25. Ⅰ. WISCHEND - BRUMMEND - POSAUNEND [1:39]
Ⅱ. SCHLU@RFEND - QUIETSCHEND
26. Ⅰ + Ⅱ. TUTTI pianissimo [2:02]
27. Ⅰ. SINGERD (Ⅱ STREICHTO@NE) [0:50]
28. (ca. 2.5 "Pause of 27 plus ca. 3" 29)
Ⅱ. KLATSCHEND - HEULEND - BELLEND [0:04]
29. (ca. 1 "of 28 plus ca. 3" 29)
Ⅰ. SCHWIRREND - KNURREND [0:04]
30. Ⅱ. PIEPSEND - KNURREND [0:09]
31. Ⅰ. ZUPFEND [0:15]
32. Ⅱ. PFEIFEND - FLO@TEND [0:21]
33. Ⅰ. TROMPETEND -BRU@LLEND
(Ⅱ. continuation of 32)
Fade-out [1:41]
Silence at the end until MIKROPHONIE Ⅱ [1:11]
MIKROPHNIE Ⅱ (1965)
for choir, Hammond organ, 4 ring modulators
34. Score-Moment 1 "Der Schatten den ich werfe ..."
("The shadow I am casting ...") [0:13]
35. Moment 2 ist time - window GESANG DER JU@NGLINGE [0:05]
36. Moment 3 [2:18]
37. Moment 4 [0:39]
38. Moment 5 2nd time - window CARRE> [1:30]
39. Moment 6 [0:11]
40. Moment 7 [0:07]
41. Moment 8 3rd time - window MOMENTE [0:34]
42. Moment 9 [0:32]
43. Moment 10 [0:22]
44. Moment 11 4th time - window GESANG DER JU@NGLINGE [0:13]
45. Moment 12 [0:13]
46. Moment 13 [0:09]
47. Moment 14 [0:08]
48. Moment 15 [0:22]
49. Moment 16 [0:54]
50. Moment 17 5th time - window CARRE> [0:09]
51. Moment 18 [0:55]
52. Moment 19 6th time - window MOMENTE [0:26]
53. Moment 20 7th time - window CARRE> plus GESANG ... [0:52]
54. Moment 21 7th time - window CARRE> plus GESANG ... [0:14]
55. Moment 22 7th time - window CARRE> plus GESANG ... [0:14]
56. Moment 23 [0:19]
57. Moment 24 [0:12]
58. Moment 25 [0:12]
59. Moment 26 [0:09]
60. Moment 27 [0:10]
61. Moment 28 [0:31]
62. Moment 29 [1:29]
63. Moment 30 [0:08]
64. Moment 31 [0:23]
65. Moment 32 [0:04]
66. Moment 33 [1:36]
TELEMUSIK Electronic music (1966)
67. Structure 1 [0:28]
68. Structure 2 [0:13]
69. Structure 3 Japan Gagaku - Music (E TEN RAKU) [0:34]
70. Structure 4 [0:14]
71. Structure 5 Bali (BARIS BAPAN) + Africa (IBANI-SANSA-LIED) [0:22]
72. Structure 6, 7 Gagaku + Bali + Sapn. Flamenco Music [0:27]
73. Structure 7 cont. Japan Priests Chanting (Kohysan Temple) [0:27]
74. Structure 8 [0:54]
75. Structure 9 Span. (SEVILLANAS) + Hungary (PISTA BA>CSI. JA>NOS BA>CSI) [0:35]
76. Structure 10 [0:21]
77. Structure 11 Japan Kabuki (YATAI AIKATA and DAIDAI KAGURA) [1:29]
78. Structure 12 Jungary (cont. of 9) [0:13]
79. Structure 13 Amazonas Shipibo Indians (Dance of Adolescent Girls) [0:23]
80. Structure 14 Kabuki (con. 11) + Hungary (cont. 9) + Shipibo (cont. 13) [0:14]
81. Structure 15 Kabuki (cont. Daidai Kagura) [0:37]
82. Structure 16 [0:57]
83. Structure 17 Japan Conch Music (OMIZUTORI Ceremony, Todaiji Temple) [0:22]
84. Structure 18 cont. Conch Music [0:13]
85. Structure 19 cont. Conch Music [0:14]
86. Structure 20 Bali (like 5) + Gagaku (like 3) + Africa (like 5) + Shipibo (like 13) [0:23]
87. Structure 21 China (KEIHOSAU) [0:36]
88. Structure 22 Japan 2 Temple Chants (Kohyasan Temple) + Conch Music + Amazonas javahe Indians (LUlLABY) + Suyai Indians (low men's choir) [1:31]
89. Structure 23 Conch Music (cont. 22) [0:14]
90. Structure 24 kabuki (DAIDAI KAGURA) + Javahe Song (like 22) + Vietnam (song of the festival of love [girls] and concert of bamboo whistles) [0:56]
91. Structure 25 cont. Vietnam [0:21]
92. Structure 26 Vietnam (Air of Gongs) [0:14]
93. Structure 27 Vietnam air of Gongs and concert of flutes faded into each other [0:34]
94. Structure 28 Vietnam cont. 27 [0:14]
95. Structure 29 Japan Temple instruments [0:22]
96. Structure 30 Japan Yakushiji temple [JION-E] [0:14]
97. Structure 31 Gagaku like 3 + 4 temple bells + cont. JION-E (priests chanting, with Geta wooden shoes) [2:23]
98. Structure 32 Japan No^ Percussionist (voice)
99. Final sound taku and Taiko Beat (No^) with reverb. [ca. 0:04] / fade-out [ca 0:17] / Final silence [1:13]
for tam - tam, 2 imcrophnes, 2 fliters with potentiometers
(brussels version 1964)
1. Ⅰ. QUAKEND [0'17]
2. Ⅱ. KNISTERND-GACKERND [0'32]
3. Ⅰ. WINSELND-JAULEND [0'27]
4. Ⅱ. WIRBELND-TROMMELND-KNARREND [0'22]
5. Ⅰ. RASSELND-A@CHZEND-DONNERND [1'05]
6. Ⅰ + Ⅱ. TUTTI forte [1'32]
7. Ⅱ. RAUSCHEND-TO@NEND-TUTEND [1'34]
Ⅰ+Ⅱ. GLA@SERN SINGEND
8. Ⅰ. WISPERND [0'05]
9. Ⅱ. BERSTEND (KRACHEND) [0:12]
10. Ⅰ. TRILLERND [0:19]
KNALLEND
GELLEND
11. Ⅰ. COLLAGE [0'47]
12. Ⅱ. Y (YPSILON) [3'41]
13. Ⅰ. ZIRPEND-SCHNARCHEND-GRUNZEND [0'16]
14. Ⅱ. ROLLEND [0'09]
15. Ⅰ. PRASSELND - KRA@CHZEND - TOSEND [2:28]
Ⅰ + Ⅱ. PIZZICATO
16. Ⅱ. GERA@USCH ad lib [0:04]
17. Ⅰ. LA@UTEND - SA@GEND [0:09]
18. Ⅱ. PRELLEND - KNATTERND (RATTERND) [0:16]
19. Ⅰ + Ⅱ. tUTTI 157 [2:58]
20. Ⅰ. RASCHELND (RATTELND) - MURMELND [0:26]
21. Ⅱ. SCHNARREND [0:34]
22. Ⅰ. Ⅹ (Ⅹⅰ) [2:24]
23. Ⅱ. kLA@NGE ad lib. [0:08]
24. Ⅱ. 4 " before entry of the moments 24/25
(Since it tis not possible to set tracvks closer than 4" apart, track 24 had to be set 4" earlier than disired)
25. Ⅰ. WISCHEND - BRUMMEND - POSAUNEND [1:39]
Ⅱ. SCHLU@RFEND - QUIETSCHEND
26. Ⅰ + Ⅱ. TUTTI pianissimo [2:02]
27. Ⅰ. SINGERD (Ⅱ STREICHTO@NE) [0:50]
28. (ca. 2.5 "Pause of 27 plus ca. 3" 29)
Ⅱ. KLATSCHEND - HEULEND - BELLEND [0:04]
29. (ca. 1 "of 28 plus ca. 3" 29)
Ⅰ. SCHWIRREND - KNURREND [0:04]
30. Ⅱ. PIEPSEND - KNURREND [0:09]
31. Ⅰ. ZUPFEND [0:15]
32. Ⅱ. PFEIFEND - FLO@TEND [0:21]
33. Ⅰ. TROMPETEND -BRU@LLEND
(Ⅱ. continuation of 32)
Fade-out [1:41]
Silence at the end until MIKROPHONIE Ⅱ [1:11]
MIKROPHNIE Ⅱ (1965)
for choir, Hammond organ, 4 ring modulators
34. Score-Moment 1 "Der Schatten den ich werfe ..."
("The shadow I am casting ...") [0:13]
35. Moment 2 ist time - window GESANG DER JU@NGLINGE [0:05]
36. Moment 3 [2:18]
37. Moment 4 [0:39]
38. Moment 5 2nd time - window CARRE> [1:30]
39. Moment 6 [0:11]
40. Moment 7 [0:07]
41. Moment 8 3rd time - window MOMENTE [0:34]
42. Moment 9 [0:32]
43. Moment 10 [0:22]
44. Moment 11 4th time - window GESANG DER JU@NGLINGE [0:13]
45. Moment 12 [0:13]
46. Moment 13 [0:09]
47. Moment 14 [0:08]
48. Moment 15 [0:22]
49. Moment 16 [0:54]
50. Moment 17 5th time - window CARRE> [0:09]
51. Moment 18 [0:55]
52. Moment 19 6th time - window MOMENTE [0:26]
53. Moment 20 7th time - window CARRE> plus GESANG ... [0:52]
54. Moment 21 7th time - window CARRE> plus GESANG ... [0:14]
55. Moment 22 7th time - window CARRE> plus GESANG ... [0:14]
56. Moment 23 [0:19]
57. Moment 24 [0:12]
58. Moment 25 [0:12]
59. Moment 26 [0:09]
60. Moment 27 [0:10]
61. Moment 28 [0:31]
62. Moment 29 [1:29]
63. Moment 30 [0:08]
64. Moment 31 [0:23]
65. Moment 32 [0:04]
66. Moment 33 [1:36]
TELEMUSIK Electronic music (1966)
67. Structure 1 [0:28]
68. Structure 2 [0:13]
69. Structure 3 Japan Gagaku - Music (E TEN RAKU) [0:34]
70. Structure 4 [0:14]
71. Structure 5 Bali (BARIS BAPAN) + Africa (IBANI-SANSA-LIED) [0:22]
72. Structure 6, 7 Gagaku + Bali + Sapn. Flamenco Music [0:27]
73. Structure 7 cont. Japan Priests Chanting (Kohysan Temple) [0:27]
74. Structure 8 [0:54]
75. Structure 9 Span. (SEVILLANAS) + Hungary (PISTA BA>CSI. JA>NOS BA>CSI) [0:35]
76. Structure 10 [0:21]
77. Structure 11 Japan Kabuki (YATAI AIKATA and DAIDAI KAGURA) [1:29]
78. Structure 12 Jungary (cont. of 9) [0:13]
79. Structure 13 Amazonas Shipibo Indians (Dance of Adolescent Girls) [0:23]
80. Structure 14 Kabuki (con. 11) + Hungary (cont. 9) + Shipibo (cont. 13) [0:14]
81. Structure 15 Kabuki (cont. Daidai Kagura) [0:37]
82. Structure 16 [0:57]
83. Structure 17 Japan Conch Music (OMIZUTORI Ceremony, Todaiji Temple) [0:22]
84. Structure 18 cont. Conch Music [0:13]
85. Structure 19 cont. Conch Music [0:14]
86. Structure 20 Bali (like 5) + Gagaku (like 3) + Africa (like 5) + Shipibo (like 13) [0:23]
87. Structure 21 China (KEIHOSAU) [0:36]
88. Structure 22 Japan 2 Temple Chants (Kohyasan Temple) + Conch Music + Amazonas javahe Indians (LUlLABY) + Suyai Indians (low men's choir) [1:31]
89. Structure 23 Conch Music (cont. 22) [0:14]
90. Structure 24 kabuki (DAIDAI KAGURA) + Javahe Song (like 22) + Vietnam (song of the festival of love [girls] and concert of bamboo whistles) [0:56]
91. Structure 25 cont. Vietnam [0:21]
92. Structure 26 Vietnam (Air of Gongs) [0:14]
93. Structure 27 Vietnam air of Gongs and concert of flutes faded into each other [0:34]
94. Structure 28 Vietnam cont. 27 [0:14]
95. Structure 29 Japan Temple instruments [0:22]
96. Structure 30 Japan Yakushiji temple [JION-E] [0:14]
97. Structure 31 Gagaku like 3 + 4 temple bells + cont. JION-E (priests chanting, with Geta wooden shoes) [2:23]
98. Structure 32 Japan No^ Percussionist (voice)
99. Final sound taku and Taiko Beat (No^) with reverb. [ca. 0:04] / fade-out [ca 0:17] / Final silence [1:13]