1. Credo in US (1942)
for piano, cans, buzzer and records [11:58]
2. Imaginary landscape no. 1 (1939)
for piano, 2 oscillators and a Chinese cymbal [7:23]
3. Inlets (1977)
for three players of water-filled conch shells and one conch-player using circular breathing and the sound of fire [9:17]
4. Imaginary landscape no. 3 (1942)
for coil, gongs, oscillators, tin cans, marimbula, buzzer [3:20]
5. But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froisse>s" or teaing up paper to make "papiers de>chire>s?" arp was stimulated by water (sea, lke and flowing waters like rivers), forests (1986) [16:51]
for piano, cans, buzzer and records [11:58]
2. Imaginary landscape no. 1 (1939)
for piano, 2 oscillators and a Chinese cymbal [7:23]
3. Inlets (1977)
for three players of water-filled conch shells and one conch-player using circular breathing and the sound of fire [9:17]
4. Imaginary landscape no. 3 (1942)
for coil, gongs, oscillators, tin cans, marimbula, buzzer [3:20]
5. But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froisse>s" or teaing up paper to make "papiers de>chire>s?" arp was stimulated by water (sea, lke and flowing waters like rivers), forests (1986) [16:51]